Bid now on "Bien Tirada Esta'," an evocative etching by the renowned Spanish artist Francisco Goya, from his acclaimed Los Caprichos series.
This piece, created in 1799, offers a satirical critique of societal vanity and the folly of superficial beauty standards, capturing the essence of 18th-century Spanish society through Goya's masterful use of grotesque imagery. It suggests that beauty is fleeting and that a superficial "stretch" won't stop time. This artwork is a biting commentary on superficiality and folly in 18th-century Spanish society, using grotesque imagery to highlight follies. Francisco Goya (17461828) is celebrated as one of the most significant Spanish artists of his time, bridging the gap between the Old Masters and modern art. His Los Caprichos series, a collection of 80 prints, serves as a powerful artistic experiment, condemning the universal follies and foolishness of his era. "Bien Tirada Esta'" stands as a testament to Goya's incisive commentary on the human condition, with its biting humor and timeless relevance.
This etching is part of the permanent collections of prestigious institutions such as The Metropolitan Museum of Art, the British Museum, and Museo del Prado, underscoring its cultural and artistic significance. Owning this piece offers a rare opportunity to connect with the legacy of an artist who profoundly influenced the course of art history.
Details:
Artist bio:
Francisco Goya (17461828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters. Goya is often referred to as the last of the Old Masters and the first of the moderns. Los caprichos (The Caprices) is a set of 80 prints in aquatint and etching created in 17971798, and published as an album in 1799. The prints were an artistic experiment: a medium for Goya's condemnation of the universal follies and foolishness in the Spanish society in which he lived. The criticisms are far-ranging and acidic; the images expose the predominance of superstition, the ignorance and inabilities of the various members of the ruling class, pedagogical short-comings, marital mistakes and the decline of rationality. Some of the prints have anticlerical themes..
Notice of Updated Buyer Terms of Use
We have recently updated our Buyer Terms of Use. We encourage you to review the revised terms to ensure continued understanding and compliance. By continuing to use our platform, you acknowledge and agree to the updated terms. View the updated Terms of Use