Bid now on "La Que Mal Marida Nunca le Falta Que Diga," an exquisite etching by the legendary Francisco Goya.
This piece, part of the renowned Los Proverbios series, is a testament to Goya's profound influence on European art, capturing the complexities of human nature with his signature blend of etching, aquatint, and drypoint techniques.
Francisco Goya (1746-1828), a pivotal figure in art history, served as a court painter to the Spanish Crown and is celebrated as both the last of the Old Masters and the first of the moderns. His works, including the Los Caprichos and Los Proverbios series, are revered for their bold commentary on societal follies and human frailties. This particular etching, printed in 1864, is a third state of three and is housed in prestigious collections such as the National Galleries of Scotland and the RISD Museum.
This framed masterpiece not only enriches any collection with its historical and artistic significance but also offers a rare opportunity to own a piece of Goya's enduring legacy.
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Artist bio:
Francisco Jos de Goya y Lucientes (1746-1828) was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. The engraved images that make up Goyas most important series of prints, Los Caprichos (1799), have long been recognized as one of the supreme monuments of European art. Goya, royal painter to the kings of Spain during the late eighteenth-early nineteenth centuries, eventually died in exile, both of his major print series having been donated to the crown to protect him from the Inquisition. A believer in the potential power of reason, his works show what happens when reason is trampled underfoot by individual human follies and corrupt social customs. In these works Goya looks at his country and memorializes it as a monument to desperation, folly, arrogance, incompetence, and the need that some of his subjects have to try to control the uncontrollable..
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