Bid to win this Yamaha FG800 acoustic guitar, signed by country music superstar Reba McEntire!
On March 28, 1955, Reba Nell McEntire was born in McAlester, Okla., to Clark Vincent and Jacqueline Smith McEntire. The third of four children, she was raised on her family’s 8,000-acre family ranch in Chockie, Okla., and travelled frequently to watch her father compete at rodeos. Her father was the World Champion Steer Roper in 1957, 1958, and 1961, an honor her grandfather John McEntire also won in 1934. She would later follow in the family tradition by participating in barrel racing competitions from the time she was 11-years old until she was 21. Her mother, a former schoolteacher and secretary to the superintendent of Kiowa High School, had once harbored dreams of being a Country Music singer. Instead, she had four children and taught them how to sing and harmonize on the long car trips.
While in high school, Reba joined her older brother Pake (who later had his own Country Music career) and younger sister Susie (who would grow up to become a Gospel singer) as members of the Kiowa High School Cowboy Band, and recorded a single, “The Ballad of John McEntire,” for Boss Records in 1971. Her older sister Alice, runner up to the IFR Barrel Racing Championship that same year, never sought a musical career, but was always a strong supporter of her family. Soon after, the three musical siblings formed their own group, The Singing McEntires, and performed frequently at rodeos, clubs, and dance halls. After high school ended, Reba went to college at Southeastern Oklahoma State University, later graduating in 1976 with a major in elementary education and a minor in music. Reba sang the National Anthem at the National Rodeo Finals in Oklahoma City on Dec. 10, 1974. Her performance so impressed Red Steagall, who was also performing at the event, that he invited her to Nashville to record demos for his music publishing company. After recording Reba during her spring break in March 1975, Steagall shopped her tapes around Nashville and secured her deal with Polygram Mercury Records in November. Although her first recordings were not that successful, Reba worked steadily to build her career.
The first single, “I Don’t Want to Be a One Night Stand,” peaked at No. 88 in 1976, followed in 1977 by “(There’s Nothing Like the Love) Between a Woman and a Man” at No. 86, and “Glad I Waited Just For You,” at No. 88, and her self-titled debut album, which did not chart at all. Despite the lack of initial chart success, she was invited to debut on the Grand Ole Opry on Sept. 17, 1977, which happened to be 30 years to the day when her father won the All Around at the Pendleton, Org. rodeo. Although her next two albums still would not chart, Reba began building momentum when she cracked the Top 20 with songs such as “Three Sheets in the Wind” (with Jacky Ward) and her cover of Patsy Cline’s “Sweet Dreams.” She achieved her first Top 10 hit when “(You Lift Me) Up to Heaven” reached No. 8 in 1980, and she followed it with the Top 5 “Today All Over Again.” Showing career growth, her fourth album, Heart to Heart, became her first charting album, peaking at No. 42 on the Billboard Country Albums Chart. Her fifth album, Unlimited, eventually rose to No. 22 on the charts and featured her No. 3 hit “I’m Not That Lonely Yet,” as well as her first two No. 1 hits: “Can’t Even Get the Blues” and “You’re The First Time I’ve Thought About Leaving.”
Reba moved to MCA Records in 1983, and released the album Just A Little Love one year later, featuring the Top Five title cut. She wanted more control over her song selection and album production, and was thrilled when label president Jimmy Bowen allowed her to make the album she wanted to make (she and Bowen would later co-produce several successful albums together). She released My Kind of Country in 1984 and hit No. 1 with its first single, “How Blue.” The album, which featured both new material and covers of songs originally recorded by Ray Price, Carl Smith, Connie Smith, and Faron Young, helped propel Reba to the forefront of the “New Traditionalists” alongside artists such as Ricky Skaggs, George Strait, and Randy Travis. The album also featured her No. 1 hit “Somebody Should Leave.” Her success was rewarded in 1984, when she won the CMA Female Vocalist of the Year Award for the first time. She would go on to win this Award for four consecutive years (1984-1987), and currently is tied with Martina McBride for the most wins in this category. The year 1986 brought further honors, as she joined the Grand Ole Opry in January, and was named CMA Entertainer of the Year in October, an Award that recognized her remarkable showmanship in concert. By this time, Reba was a bonafide Country Music superstar.
Her 1986 album Whoever’s in New England was her first to be certified Gold by the RIAA, and both the title cut and “Little Rock” became No. 1 hits. One year later, her Greatest Hits album became her first Platinum-certified album (continuing to sell more than four million copies through the years). She continued to rule the charts with hit songs including “The Last One to Know” and “Love Will Find Its Way to You.” But her album Reba, which contained the hits “Sunday Kind of Love,” “I Know How He Feels,” and “New Fool at an Old Game,” signaled a change towards a more pop-oriented style. Reba continued in this direction, scoring hits with songs such as “Cathy’s Clown” and “Walk On.” Proving her business acumen, Reba and her former husband/manager Narvel Blackstock created Starstruck Entertainment in 1988 to handle her management, booking, publicity, publishing, and more. The company went on to work with other artists as well, including Kelly Clarkson and Blake Shelton. In 1990, she gave birth to a son Shelby Steven McEntire Blackstock. She would later share stories from her life in her 1994 autobiography Reba: My Story and her 1999 book Comfort from a Country Quilt. Years later, she would expand her brand and oversee the creation and development of successful clothing, footwear, luggage, and home collection lines that are sold nationwide in Dillard’s.
After getting a taste of acting from her music videos, Reba began exploring her options in Hollywood. She first appeared alongside Kevin Bacon and Michael Gross in the comic, horror film “Tremors,” in 1990. Over the years, she would continue with roles in movies such as “North” (1994), “The Little Rascals” (1994), and “One Night at McCool’s” (2001). She also appeared in a string of television movies, including: “The Gambler Returns: The Luck of the Draw” with Kenny Rogers in 1991; “The Man From Left Field” with Burt Reynolds in 1993; “Is There Life Out There?” in 1994 (based on her hit song and music video); “Buffalo Girls” in 1995 (where she first played Annie Oakley); “Forever Love” in 1998 (also based on her hit song); and “Secret of Giving” in 1999. Her distinctive voice was heard as the goddess Artemis in the animated television series “Hercules” (1998); Betsy the Cow in the movie “Charlotte’s Web” (2006); and Dixie the dog in animated movie “The Fox and the Hound 2” (2006). But she was never far away from the music, continuing to chart huge hits with “You Lie,” “Rumor Has It,” “Fancy,” “Is There Life Out There,” “The Night the Lights Went Out In Georgia,” “Take It Back,” “The Heart Won’t Lie” (a duet with Vince Gill), “Does He Love You” (a duet with Linda Davis, which won the 1994 CMA Vocal Event of the Year Award as well a Grammy Award for Best Country Collaboration with Vocals), “Why Haven’t I Heard From You,” “The Heart is a Lonely Hunter,” “She Thinks His Name Was John,” “On My Own” (with Davis, Martina McBride, and Trisha Yearwood), “The Fear of Being Alone,” “I’d Rather Ride Around With You,” “How Was I to Know,” “Forever Love,” “If You See Him/If You See Her” (with Brooks and Dunn), and more. She also reached No. 2 on the Billboard Dance Singles chart with her remake of The Supremes’ “You Keep Me Hangin’ On.”
In 2001, Reba triumphed when she took over the role of Annie Oakley in the Broadway play “Annie Get Your Gun,” previously played in this revival by Bernadette Peters, Susan Lucci, and Cheryl Ladd. Reba brought new life to the production, and with it came rave reviews, sold out performances, a Drama Desk Award, and an Outer Critics Circle Award. After performing on Broadway from February through June, Reba moved to Los Angeles to begin her successful television sitcom “Reba” for the WB Network (later renamed the CW Network). The show debuted in October and remained in production for six seasons, signing off in February 2007. The series grew even stronger and gained a larger audience through syndication re-runs on the Lifetime Network, and will continue to play for a second round of syndication on ABC Family and CMT through 2014. While starring in and producing the television series, Reba continued to succeed in music with hit songs such as “I’m a Survivor” (the sitcom’s theme song), “I’m Gonna Take That Mountain,” “He Gets That From Me,” “My Sister,” and the No. 1 hit “Somebody.” In 2005, she participated in a special concert performance of “South Pacific” with Alec Baldwin and Brian Stokes Mitchell at Carnegie Hall that was filmed to air on “Great Performances” on PBS the following year. In 2007, she released Reba Duets, an album that paired her with artists including Kenny Chesney (on “Every Other Weekend”), and Kelly Clarkson (on “Because of You”), as well as Ronnie Dunn, Vince Gill, Faith Hill, Don Henley, Carole King, Rascal Flatts, LeAnn Rimes, Justin Timberlake, and Trisha Yearwood.This became her first album to debut at No. 1 on the Billboard Top 200 album chart.
After releasing a three-disc 50 Greatest Hits album in 2008, Reba left her longtime home at MCA and moved to the Valory Music Label, reuniting her with label president Scott Borchetta. Her first album for her new label, Keep on Loving You, became her second album to debut at No. 1 on the Billboard Top 200 album chart when it was released in 2009. The album’s first single “Strange” debuted at No. 39 on the Billboard Country Singles chart, the highest single chart debut and the fastest rising single of her career. In addition to the title cut, the album also featured “Consider Me Gone,” which topped the Billboard Country Singles chart for four consecutive weeks and became her longest-running No. 1 song ever. Her current album, All the Women I Am, hit stores in 2010, and features the hit singles “Turn on the Radio,” which became the first No. 1 hit from the new CD, and Reba’s remake of Beyonce’s “If I Were a Boy,” which she performed on “The 44th Annual CMA Awards” that year. During her 2011 ALL THE WOMEN I AM TOUR, both Pollstar and Billboard’s Boxscore (the touring industry’s leading trade outlets) named Reba the #1 female Country touring artist, selling a combined total of over 9 million tickets in her career. Reba’s life and career were featured in the REBA: ALL THE WOMEN I AM Exhibit at the Country Music Hall of Fame and Museum in Nashville, TN. The exhibit contained more than two dozen costumes, personal possessions, vintage photographs and career-spanning audio and video. The exhibit ran from August 9, 2013 - June 22, 2014.
In 2017, Reba released her first ever gospel album, SING IT NOW: SONGS OF FAITH & HOPE. The two disc twenty song collection featured classic hymns as well as new inspirational anthems. It debuted at #1 on both the Billboard Country & Christian charts and earned her a Dove and GRAMMY® award. One of the most successful female recording artists in history, Reba has sold over 56 million albums worldwide and is a member of the Country Music Hall of Fame and Hollywood Bowl Hall of Fame. She has won 15 American Music Awards; 13 ACM Awards;9 People’s Choice Awards; 7 CMA Awards; 2 GRAMMY Awards; an ACM Career Achievement Honor; and is one of only four entertainers in history to receive the National Artistic Achievement Award from the U.S. Congress. Reba’s reign of #1 hits spans four decades and Billboard, Country Aircheck and Mediabase recognized her as the biggest female hitmaker in Country music history.
The following Conditions of Sale and Terms of Guarantee, as amended by any posted notices or announcements during the auction and in addition to the Term of Use for Charitybuzz.com, are Charitybuzz, LLC and the Donor’s entire agreement with the purchaser and any bidders relative to the property listed in this lot.
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A maximum bid is a secret amount you enter, that represents the maximum amount you are willing to bid. It is higher than the current price and also higher than the next allowable minimum bid amount. If you enter a maximum bid, we’ll bid on your behalf up to that maximum bid amount in response to other bids, according to Charitybuzz’s bidding tiers.
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This dynamically extending period is designed to protect against a practice commonly known as “sniping” or “last second bidding” where bidders attempt to enter a quick bid in the final seconds of an auction to secure a win before competing bidders have a chance to counter.
Live bids lots are a special type of auction lot on Charitybuzz. Live bid lots on Charitybuzz are paired with a real world, physical auction, where that real world auction is often scheduled to occur at a later date. You can distinguish Live Bid lots by the “Live Bid” label in the title of the lot, and additional description text at the start of the lots “Overview” tab.
In a Live Bid lot on Charitybuzz, a lot is created that is similar to any other auction lot on the site. These special lots last for similar amounts of time and bidding occurs normally by our users.
Things start to differ after a Charitybuzz Live Bid lot closes. After it closes and the winning bidder is chosen, that winning bidder’s bid amount or (if it exists) the max bid amount associated with that winning bid, are taken and entered into the associated real world auction. For example, if a bidder on Charitybuzz wins at $12,000 with an unrealized max bid of $15,000, then that $15,000 dollar amount is passed on into the real world auction.
Before the winning bidders bid or max bid amount is passed on, someone from Charitybuzz contacts that winner after the Charitybuzz lot closes and before the real world auction opens. This is to confirm if the bidder would like to increase their bid or max bid amount before it’s entered into the real world auction.
What happens during the real world auction? Each individual one may vary. Charitybuzz does not own or operate any real world auctions, nor does Charitybuzz require any partners to follow a specific auction model. We make no claims to the consistency of real world auction experiences and encourage bidders to contact us for more details as needed.
In our experience, real world auctions tied to Charitybuzz Live Bid lots are typically executed by our partners in a few common ways.
In one scenario, if an auction house and an auctioneer is present, winning live bids from Charitybuzz Live Bid lots are treated as “absentee” bids. This normally means that the Charitybuzz winning bid is placed in the auctioneers books as a bid. As the auctioneer conducts the auction, they will bring up and enter the Charitybuzz winning bid during the course of the auction as the current price or next minimum bid value approaches the Charitybuzz winner’s bid amount. In this scenario, other people in the real world room are expected to bid against the auctioneer, not the Charitybuzz winning bidder. If no one is bidding in the room, the auctioneer will typically keep bidding up the price until the Charitybuzz Live Bid winner wins the real world auction.
In other models, an audience member (including, but not limited to a charity partner employee) might act as a proxy for the winning Charitybuzz bidder. They will usually bid on behalf of the winning Charitybuzz Live Bid winner during the normal course of that auction, using whatever means provided for that auction house (i.e. paddles, etc.)
After the auction is completed, someone from Charitybuzz contacts our bidder to let them know the outcome. If that Charitybuzz Live Bid bidder has won, payment occurs as usual. If that Charitybuzz Live Bid bidder did not win, they will be notified accordingly.
A reserve bid is a bid placed by Charitybuzz on behalf of the seller up to the minimum reserve (if applicable). Bids placed by Charitybuzz on behalf of the seller up to the amount of the reserve, will be counted toward the total bid count displayed on the lot page’s bid box.
A buyer’s premium is the additional charge on the auction hammer price or winning bid, which is paid by the winner. Buyer’s premiums on Charitybuzz range from 10%–15%, based on the final hammer price of the auction lot.
15% up to $10,000
12.5% up to $50,000
10% above $50,000
Charitybuzz reserves the right to change these calculations at any time.
Refunds are rewarded on a case by case basis and at the sole discretion of Charitybuzz, LLC.
Experiences auctioned on Charitybuzz.com go through a specific redemption process to coordinate details and complete. That process normally involves messaging and scheduling between all parties (i.e. winners, charities, donors, venues). Details discussed include but are not limited to experience dates, arrival procedures, airfare, hotel accommodations, restrictions, will-call requirements, and any other on-site notes. Scheduling requires an initial request sent by the customer, and a followup confirmation submitted by relevant redemption contacts.
The minimum processing and handling charge for this item is $89.95.
Getting your item - Items will either be shipped directly from Charitybuzz or from the item donor (Third Party) as indicated. Items shipping from Charitybuzz will be sent within five business days of payment settlement by the winning bidder. All third party items will be shipped within the times indicated on the lot page. Winning bidders should ensure the desired shipping address is provided to Charitybuzz within 24 hours after payment settlement. Charitybuzz will default to the shipping address listed on the winning bidder’s account unless otherwise notified. Please see FAQs for more information.
Items that require signature - Items with a sale price of $1,000 and above are typically shipped with signature required.
Tickets & Certificates - For hard copies of tickets and certificates, the minimum shipping, handling, and applicable insurance charge is $14.95. Tickets, certificates, and vouchers, unless otherwise specified, will be shipped via professional carrier with standard ground service. In some cases, tickets will be left at the venue's "Will Call" window under the winner's name. Merchandise is insured for the winning amount.
Merchandise - The minimum shipping charge for merchandise is $19.95. (Shipments outside the U.S. are subject to additional shipping and customs fees.) Merchandise, unless otherwise specified, will be shipped via professional carrier with standard ground service. Oversized items may require special delivery arrangements, which Charitybuzz will coordinate between the winning bidder and the selected freight carrier. All merchandise is insured for the winning amount.
Will Call Pickups - In some cases, tickets will be left at the venue’s “Will Call” window under the winner’s name. Winning bidders may be required to submit the names of attendees up to several weeks ahead of the event. A valid photo ID for each person listed at Will Call is often required. When available, Charitybuzz will attempt to provide an onsite point of contact, but makes no guarantee that this information will be available for any given lot. Will Call tickets are typically available at the Will Call window at least an hour before the event, unless otherwise specified. The Will Call window is usually located near the venue's main entrance.
After winning - Detailed redemption information will be emailed to the winning bidder. Redemption contact information will be emailed to the winning bidder within two business days of payment settlement by the winning bidder. The redemption contact will work with the winning bidder to fulfill the lot within the appearance times, time constraints, event dates or locations, and other particulars listed in the lot details.
Does your experience require tickets? - Tickets for experiences are shipped to the winner. Please see “How Shipping Works ” above for shipping details for tickets.
Scheduling your experience - Specifics vary per lot. Most experiences found on Charitybuzz are scheduled through our new Redemption Center, allowing you one-stop access to scheduling and communication tools to redeem your experience. Get started today: Create a Redemption Center account. Scheduling for lots outside of the Redemption Center will occur via the preferred communication method of the redemption contact (email or phone), as indicated by the redemption email sent within 48 hours of payment settlement by the winning bidder.
Getting to the experience - Specifics vary per lot. Details will be included for those lots with travel segments included. Experiences with travel often involve… (i.e. prebooked flight, .) Coordinate with your charity contact directly. If you are a VIP member with Charitybuzz, contact your rep for more information.
During the experience - Specifics vary per lot. Work with your charity partner to define the details before departing.
After the experience - Specifics vary per lot. All done with your experience? Let us and your charity partner know how it went.
Processing - The minimum processing fee for experiences is $9.95, unless otherwise excluded. For example, lots that include a buyer’s premium do not have this minimum processing fee of $9.95.