Bid now on Francisco Goya's evocative etching, "Y se le Quema la Casa" from the renowned Los Caprichos series.
This powerful artwork is a satirical critique of the self-destructive nature of excess and vice, capturing the moment an inebriated figure inadvertently sets his own house ablaze. The literal image is a symbolic representation of the consequences of an intemperate and immoral lifestyle, suggesting that those who indulge in vice will ultimately destroy themselves and their livelihoods. A testament to Goya's mastery, this piece is a profound exploration of human folly and moral consequence.
This very image is part of the permanent collection of many museums, such as The Metropolitan Museum of Art in New York City, Museum of Modern Art (MoMA), Brooklyn Museum, Norton Simon Museum, Toledo Museum of Art, Minneapolis Institute of Art, Kroller-Muller Museum (Otterlo, Netherlands), Museo del Prado (Madrid, Spain), and Victoria and Albert Museum (London, England). Francisco Goya (1746-1828), a pivotal figure in art history, is celebrated as both the last of the Old Masters and a precursor to modern art. His Los Caprichos series, created in 1797-1798, is a collection of 80 prints that boldly critique the societal and political issues of his time. Goya's work, including this etching, is housed in prestigious institutions worldwide, underscoring its enduring cultural significance
This etching is a rare opportunity to own a piece of art history, reflecting Goya's unparalleled ability to blend technical skill with poignant social commentary.
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Artist bio:
Francisco Goya (17461828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters. Goya is often referred to as the last of the Old Masters and the first of the moderns. Los caprichos (The Caprices) is a set of 80 prints in aquatint and etching created in 17971798, and published as an album in 1799. The prints were an artistic experiment: a medium for Goya's condemnation of the universal follies and foolishness in the Spanish society in which he lived. The criticisms are far-ranging and acidic; the images expose the predominance of superstition, the ignorance and inabilities of the various members of the ruling class, pedagogical short-comings, marital mistakes and the decline of rationality. Some of the prints have anticlerical themes..
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