Artist: Helmut Newton (1920-2004)
Title: Tomb of Talma, 1977
Year created: 1977
Medium: Vintage Silver Gelatin
Edition: Open Edition
Height (inches): 24
Width (inches): 20
This piece is unframed.
Description of piece:
This print is part of Helmut Newton's “Private Property Collection.” The location was the "Pere Lachaise, Tomb of Talma II Paris.” This fine art photograph was shot in the famous Parisian graveyard in 1977 for Yves St Laurent. It is the second in the pictorial captured at the "Tomb of Talma". This is a rare pre-1985 vintage print produced in small numbers from a series of transparencies that Newton considered his most provocative and important work through 1985. Always unsigned, they were sent out to major publications to simulate interest in a photographer’s work. Most were destroyed or written over, it is very rare to find them in immaculate condition. The print comes with a Certificate of Authenticity detailing the ownership rights which are supported by an original agreement with Helmut Newton, co-signed by his Paris agent, in 1984, and supported by a further Settlement agreement with The Helmut Newton Estate in 2012. It has been stored in conservation condition and is an excellent examples of vintage Helmut Newton photography.
Artist bio:
Helmut Newton was one of the world’s most celebrated photographers whose uniquely edgy imagery is coveted worldwide by collectors and aficionados of photographic art. "Sie Kommen" meaning “They Are Coming” is one of the most iconic Helmut Newton images. They are a sculptural statement of Newton's fascination for strong yet beautiful woman. Life-sized versions of this photograph were featured in Newton's "Private Property" exhibitions in London and Paris and both of the pair, naked and dressed, photographs appear in Newton's famous book, “Sumo”, as well as several others. Helmut Newton’s photography is coveted by collectors worldwide, with auction values increasing steadily. His almost cinematic compositions provided a hyper-real backdrop for the provocative images of sculptural, larger-than-life women, and enhanced the themes of voyeurism and fetishism that run throughout his work.
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