Collect this museum-quality etching titled "The Long Gallery" by James McNeill Whistler (American, 1834-1903)!
The image is a view of the long gallery of the Louvre Museum in Paris, France. This etching is shown in several museums, such as The Metropolitan Museum of Art in NYC, The Art Institute of Chicago, National Gallery of Art (D.C.), Baltimore Museum of Art, Cleveland Museum of Art, Fine Arts Museum of San Francisco, National Museum of Asian Art, Hood Museum, Detroit Institute of Arts, Toledo Museum of Art, Isabella Stewart Gardner Museum, National Gallery of Canada, British Museum (London, England), Victoria and Albert Museum (London, England), Rijksmuseum (Amsterdam, Netherlands).
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Artist Bio:
James Abbott McNeill Whistler (1834 1903) was an American painter active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo "art for art's sake". His signature for his paintings took the shape of a stylized butterfly possessing a long stinger for a tail. The symbol combined both aspects of his personality: his art is marked by a subtle delicacy, while his public persona was combative. He found a parallel between painting and music, and entitled many of his paintings "arrangements", "harmonies", and "nocturnes", emphasizing the primacy of tonal harmony. His most famous painting, Arrangement in Grey and Black No. 1 (1871), commonly known as Whistler's Mother, is a revered and often parodied portrait of motherhood. Whistler influenced the art world and the broader culture of his time with his theories and his friendships with other leading artists and writers. Whistler produced numerous etchings, lithographs, and dry-points. His lithographs, some drawn on stone, others drawn directly on "lithographie" paper, are perhaps half as numerous as his etchings.
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